Saturday, September 28, 2013

Dave Ortega on Tuesday and Wednesday

Artist Dave Ortega will give public presentation of his work on Tuesday at 11:30 in rm. 201. On Wednesday he will be available for several studio visits starting at 12:30. He will then speak to the entire seminar at 2 pm.

"I grew up in the weird mixture of wide open spaces and suburban strip malls of El Paso, Texas. After college, I moved to Boston to pursue a career in art and illustration. I've exhibited in art shows both on my own and with friends fromThe Miracle 5.
My work has been seen on the New Yorker website, swag for Don't Panic UK, Wilco t-shirts, A Beautiful/Decay publication, the Boston Phoenix, The Weekly Dig (Boston), WMBR Cambridge, banners for the the City of Somerville and Tinymeat wallets."

Here is his website
http://vivaortegacy.com/6_about.html

Those of you who would like to have a studio visit with David Ortega can either talk to him at the presentation on Tuesday or let Savery Kelly know that you are interested. I think he can perhaps do 3 or 4 studio visits on Wednesday before our big meeting.

Monday, September 23, 2013

CHECK OUT THE CREATIVE TIME SUMMIT in NY Streaming on Friday and Saturday October 25th and 26th


About the 2013 Summit


The 2013 Creative Time Summit sets its sights on the fact that culture, for good or bad, is an active ingredient in the construction and shaping of the contemporary city. Tapping into widespread debate on this issue, this year’s Summit provides a global platform for consideration of the trials, tribulations, artistic practices, campaigns, theories, and practicalities that accompany this phenomenon. As the active role of culture in the city gains traction not only with artists but also with architects, city planners, philanthropists, and developers—from eye-popping monumental sculpture, to arts districts, to battles over eviction and squatting—this year’s Summit provides a timely opportunity to debate and consider a variety of artistic approaches to this contemporary condition.



STREAMING ON FRIDAY AND SATURDAY October 25th and 26th



Feel free to dip into the Keynote address on Saturday by Lucy Lippard who has spoken and written about the idea of "Place" in contemporary art here at Montserrat.

Monday, September 16, 2013

Upcoming Visiting Artist Events

Seminarians,
This is a reminder that Andrea Sherrill Evans, who's work is now in the Schlossberg Alumni Gallery will give a public presentation at 11:30 in rm. 201 in the Hardie Building tomorrow (Tuesday)
Also there will be a reception for the Bahar Yurukoglu show in the 301 Gallery on Wednesday from 6 until 8 pm.
This program is and integral part of the Senior Fine Arts Seminar. Please make and effort to attend as many of these events as you can.

Thursday, August 22, 2013

Syllabus for Fall 2013


Welcome Seniors,

Please note, this is the official syllabus for Senior Fine Arts Seminar.

Senior Fine Arts Seminar
FAS 400
Ethan Berry Seminar Coordinator
Caroline Bagenal, Greg Cook, Discussion Instructors

Fall, 2013

Course Description:
A significant program of studio and critical work for students concentrating in fine arts, painting, printmaking, sculpture, and photography, this course is intended to help develop the students' maturity and independence as artists.  The course includes several aspects:
(1)            The students will prepare a substantial body of work under the guidance of the seminar coordinator and their chosen faculty advisor, a representative part of which will be presented to the public in a small group show and at the graduation exhibition.
(2)            The student will participate in two seminar meetings each week.  The studio meeting will focus on the student's independent work and will be supplemented by group critiques and critiques by visiting artists. The discussion meeting will be devoted to the discussion of weekly readings encompassing a range of critical perspectives on modern and contemporary art.  Group meetings will focus on art-world issues and practices.
(3)            A designated faculty committee will meet with the student twice each semester to critique the student's work and review his or her progress.
(4)           The student and faculty advisor will meet weekly in order to discuss
the independent studio work in which the student is engaged.
(5)           The student is required to take advantage of the visiting artist program by interacting with at least one individual critique or visiting artist event with a visiting artist. Students are expected to attend at least three visiting artist talks.


Senior Seminar part I is 6 credits; Senior Seminar part II is 6 credits, to be awarded by the seminar instructors.


Course Objectives:

The ability honestly and accurately to evaluate one's work and its place in the culture is nearly as essential as passion and hard work in the studio.  Context contributes to content, and therefore an artist must be aware of the contemporary critical dialogue — in order to interpret it as well as to challenge it.  Through exposure to various points of view the student will have the opportunity to establish a personal critical perspective.  The development of intellectual and evaluative skills is not an end in itself; rather, the objective is to use those skills in the service of the student's continuing growth as a visual artist.


Course Format — Studio Component:

Each section of the FAS will meet with a Studio Instructor once a week.
These meetings will be devoted to a discussion of the work being created in the senior studios and critiques of student works led by the students.  The instructor will meet with individuals in their studios, and the remainder of the class time will be used by the students to work in their studios or participate in student-led group critiques. 
Senior reviews occur twice during the semester and are essential to the format of FAS.  All seniors must be prepared to participate in their reviews on the scheduled date.
Students will be asked to write an artist's statement prior to each of the senior reviews.  The purpose of the statement is to help the students organize and clarify the issues that are relevant to them at the time of the reviews.

Course Format — Discussion Component:


Each section of the FAS will meet with the Discussion instructor once a week.

Weekly reading assignments will be drawn from a variety of journals and articles. The readings will be photocopied and handed out in class or posted on the SFAS blog. 

All students are required to participate in class discussions. In addition, weekly written responses to the readings will be required.

Two major assignments will also be required.  The first assignment will be medium-length paper, and the second assignment is an individual presentation. Specific paper and presentation instructions will be handed out during the semester. The assignments will count toward the grade for the discussion component of the seminar as follows: papers and presentation 60% (30% each); responses to weekly readings and participation in class discussions 40%.  Important note: Papers must be turned in on the due date for your section.  Late papers will be graded down.  It is the responsibility of the student to discuss with the instructor any extenuating circumstances affecting their ability to meet deadlines.

Course Format — Visiting Artists and Group Meetings:


There will be three Visiting Artist lectures each semester that students will be required to attend.  These may be scheduled during the lunch hour (11:30-12:30) or the visiting Artist may present during senior seminar class time.  After the lectures the visiting artist may also meet with senior seminar students for a general discussion or for critiques of student work outside of class time.

Additional Meetings Assignments:


Senior Seminar students should make every effort to go on the one-day New York City trip that is held each semester.  We may also arrange some visits to Boston-area museums and galleries. Students who are absolutely unable to participate in field trips because of scheduling difficulties should go to the exhibitions on their own. Students should check with Student Services office to check on the schedule of school sponsored “First Friday”  trips to Boston Galleries.
Portfolio Review- Graduating seniors prepare a digital portfolio of their work for an in- person presentation to a portfolio review panel at the end of the semester.
Other writing assignments- One Hundred Fifty Words – Based on interviews and viewings, students will write a brief description of another senior’s work.

Criteria For Credit

FAS 400 is a 6-credit course.


Credit for the FAS will be awarded by the seminar coordinator in consultation with the discussion instructors, acting on an equal basis.  Students must pass both the studio AND discussion components in order to pass the course as a whole, and the final grade will be based on the student's combined performance.

Among the factors that will be considered are:

1.            Independent Studio — The minimum requirement for the studio component will be the development each semester of a significant body of work as determined by the studio instructor in consultation with the review panel. All work shown to the review panel must be from the FAS studio or identified as supporting material.  Absence from a review may result in an incomplete or no credit.  Students are required to work a minimum of 15 hours each week outside of scheduled class meetings developing FAS studio course work.

2.            Discussion Component — Students are required to complete all reading and writing assignments on time.  The weekly discussions are a significant part of the FAS and it is not possible to participate in them without knowledge of the reading assignments.  The students will be evaluated on the basis of their written work and their participation in class discussions based on the readings.  Students must complete all the papers and presentations in order to receive credit for the course.

note:


Writing Center Resource
It is Montserrat’s goal that learning experiences be as accessible as
possible. If you anticipate or experience physical or academic barriers based on disability,
please let us know so that we can discuss options. You are also
welcome to contact Colleen Michaels, Director of the Writing Studio
(978/969-2301or colleen.michaels@montserrat.edu) to begin this conversation or to establish accommodations


3.            Senior Thesis Shows — Students who are completing their second semester of the FAS are required to exhibit work in a thesis exhibition. The work exhibited in the thesis exhibition serves both to demonstrate the student’s artistic achievements  and competencies and to demonstrate two successful semesters in FAS.

4.            Attendance — Students are required to be on time for all classes.  Frequent absences or tardiness may result in a lower grade or no credit.

Wednesday, March 20, 2013

Presentation guidelines


SFAS
Senior Fine Arts Seminar
Presentations

The purpose of the presentations is to practice articulating your ideas. This means that you will be discussing the work of a living artist or your own work and relating that work and ideas to the issues and ideas that you are engaged with in a contemporary art-historical context. Presentations should be 10 minutes in length and include a digital slideshow. It should feature original research, not things repackaged from earlier in this class or other classes. A successful presentation should include some of the following;

FIRST SEMESTER STUDENTS
• A description of the artist's work.
• Interpretation of the artist’s work and ideas.
• A connection between your work and the artist's work visually (what it looks like) and conceptually (the ideas behind it), while putting the ideas in a contemporary art-historical context.
• Some discussion of where your work either diverges from or converges with this artist's work.
• A conclusion with some reference to your experience with this artist.

SECOND SEMESTER STUDENTS
Your presentation will be about your own work. A successful presentation should include some of the following;
• Some background regarding your recent work (this is not the time for your biography).
• A description of your present work.
• Interpretation of your work.
• A connection between your work and issues and ideas in the contemporary art world. 
• A citation of some artists whose work is relevant to this connection.
•  A concluding discussion of what is next in the development of your work.

Be clear and concise. Try to avoid generalizations and art jargon in your presentations. It is okay for you to quote the words of a critic or artist if you give credit and make a reference to that writer. Remember that you are speaking about YOUR experience and ideas. Video is welcome, but it should not take the place of your own descriptions and analysis. Practice beforehand and keep track of time.

Sunday, November 6, 2011

Greg: Sex, lies and videotape

“Oops” (2000) from margherite on Vimeo.


"I wanted to put them in a situation where they were really in over their heads or out of their depth or just where they felt uncomfortable and didn’t know how to deal with what was happening."—Laurel Nakadate

For Greg's class on Nov. 14, we will read and discuss:
= Laurel Nakadate interviewed by Scott Indrisek for The Believer, October, 2006. Nakadate's exhibit "Say You Love Me" is on view at Harvard's Carpenter Center from Nov. 17 to Dec. 22. She speaks at Harvard at 6 p.m., Thursday, Nov. 17.

Some questions to consider: What is Nakadate's work about? Are her methods dangerous? Are her methods exploitive? Are her methods fair? What does her art say about men? What does it say about women? What does it say about the relationships between men and women? What does her work say about age, about young and old? What does her work say about sex? What does her work say about loneliness and isolation? What does her work say about privacy and secrets? Is her work feminist? Is she a stalker? Why is her art "uncomfortable"? Is this a good thing? What is Nakadate talking about when she says she was "going out into the world and discovering little tragedies"? What is the morality of her art? Do you agree with her when she says, "I think my work is optimistic—as much as it is pathetic and funny and sad and ridiculous, at the end of the day it’s about the hope that something will go right, and the constant wishing for a world where things might start to make sense"?

Monday, October 31, 2011

Greg: Back to the Future

For discussion in class on Nov. 7, Greg's group will read:
= catalogue to "Building Expectation: Past and Present Visions of the Architectural Future" by Nathaniel Walker, for the exhibit at Brown University's Bell Gallery in Providence through Nov. 6, 2011.
= excerpt from "Jane Jacobs, Urban Activist is Dead at 89" by Douglas Martin, New York Times, April 25, 2006.


Some questions to consider: How do the ways we imagine the future open up or limit possibilities for what actually happens? Do the imagined futures described in the catalogue emphasize people, buildings, roads, nature, animals, business, food production, etc.? What do these focuses say about the designers' values?